+ Holiday Musical Mobile +

12.21.09

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This is awesome!

The art installation is composed of 50 HTC Touch handsets, all run by custom code directed by connected computers. Apparently, it can be programmed to play any song, like the holiday-themed one in the video after the break, and remote musicians can access a live stream at the installation’s site and play their own music. Any tune you can think of.

The piece was created by James Theophane, and worked on by a large team that goes by the name LBi. (That either stands for “Lost Boys International” or “London Beer Inebriates,” depending on which source you believe.) It will be on display at the Brick Lane Studio in London through January, after which something new — and hopefully as interesting — will be hung in its place.

( via – Switched )

+ Dead Fly Art With A Twist +

12.09.09

You have all probably seen that awesome collection of dead fly art that was making its rounds a few weeks ago, well it’s only natural that Advertising would take that and make it into an AD Campaign.

With the Tag Line “Death Comes Faster Than Expected” these ads for Golbol Insect Spray are actually pretty funny, not as funny or awesome as the original Dead Fly Art but still awesome none the less!

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And now the original Dead Fly Art!

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+ Trashy Art +

09.04.09

I’ve been seeing this stuff floating around the innerwebz for a while now, and the more I see the more I think HOW F*&KING RAD! These artists take trash, create a sculpture that looks like nothing until a light is put on it, and the shadows are RIDICULOUS!

British-born and -based artists Tim Noble and Sue Webster skilfully skirt the boundaries between beauty and the shadowier aspects of humanity, playing with our perceptions as well as our notions of taste. Many of their most notable pieces are made from piles of rubbish, with light projected against them to create a shadow image entirely different to that seen when looking directly at the deliberately disguised pile.

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Image: pashasha

The photo above shows White Trash (With Gulls), one of Webster and Noble’s earliest trash-based pieces. Six months’ worth of household waste plus a pair of dead seagulls comprise the heap of refuse. It’s no accident that it took the couple a further six months to make the piece, during which time they were eating and consuming – as you do. On the wall, the shadow figure self-portraits of the artists take a break with a cigarette and a glass of wine
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Image via: Simplistic Art

Not all of Noble and Webster’s work uses low grade materials drawn from the rubbish dump or the scrap yard – like this welded scrap metal piece of rat love. No, some of it borrows from the aesthetics of the shopping mall or the Las Vegas light show, with flashing displays and gaudy neon inspired by some of the most crass that culture has to offer. As far as the artists are concerned, it’s all worth recycling.

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Image: Jose Luis RDS

Yet the idea of reusing materials to create art gets one of its most visceral treatments in this last piece. Casting the by now familiar shadows of the artists’ profiled heads – severed and impaled on spikes in this case – the sculptures are composed of various mummified animals. A nod, perhaps, to aspects of popular culture like vulgar living history, it’s another work by this irreverent pair that might mean you now look at all kinds of trash and waste in a rather different light.

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Image: pashasha

That the next piece, entitled HE/SHE, looks to display shadows of Noble and Webster urinating is less shocking given that the artists have often chosen to deal with ostensibly cruder themes in their collaborative work. Having met whilst studying at university in Nottingham in the late ’80s, the couple later moved to London, where they gained a reputation for being rebels of the art scene, not content with the position of artist as celebrity.

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( via – Environmental Graffiti )

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